The RX100 Mark III is the second upgrade to Sonyâs successful line of fixed-lens compact cameras, which began roughly two years ago with the original RX100. Most digital SLRs and CSCs will produce an excellent ISO 100 shot, so we like to push them and see what they can do compared to other cameras at ISO 1600, 3200, and 6400. Ditto for the smaller-sensored Stylus 1, which is really designed to remain at ISO 800 and below. I found that the RX100 III's general purpose Multi-segment metering system copes well with a range of conditions, delivering well-exposed images in a range of conditions. This makes for a somewhat challenging comparison. This ISO is clearly too high for most sensors of this size, although the RX100 II certainly handles the noise much better, with images that appear much cleaner than the mk III. It's comfortable to use one-handed and feels nicely balanced. This perfect pocket camera combines stunning 20.1MP image quality, electronic viewfinder & bright ZEISS lens. With 20MP, the RX100 III offers a higher resolution than the HX80 (18MP), but the RX100 III nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.25μm for the HX80) due to its larger sensor. The Canon PowerShot G9 X Mark II and the Sony Cyber-shot DSC-RX100 III are two digital cameras that were revealed to the public, respectively, in January 2017 and May 2014. Discover the RX100 III compact digital camera. BA1 1UA. On the rear side of the Sony RX100 V is a 3.0-inch, 4:3 aspect Xtra Fine TFT LCD panel. This can be advantageous, but it's also rather distracting. There was a problem. 3:2 native aspect ratio, with 3:4, 16:9 and square (1:1) crops available. ISO 64 ~ 12,800; ISO 100 is optimum. 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TechRadar is part of Future plc, an international media group and leading digital publisher. The RX100 VI here; The RX100 VII here; Since the Sony RX100 V has the same menu layout as recently released Sony Alpha cameras, youâll quickly find your way around if you already own one of those. The sensor in the HX80 has a native 4:3 aspect ratio, while the one in the RX100 III offers a 3:2 aspect. Adjustable for high and low limits from ISO 100 to ISO 12,800 in full stops. 63.79 MP/cm² 17.31 MP/cm² Pixel density tells you how many million pixels fit or would fit in one square cm of the sensor. A touchscreen would make it quicker, but the eye sensor would have to respond quickly to avoid the photographer's nose making the selection. There is, however, little sign of smearing. This selection is customisable so that users can set it to reach their favourite, or most commonly used features quickly. Noise is concealed in a way that manages to maintain the impression of detail and consequently, even images taken at ISO 12,800 look good at A3 size. The RX100 III produces natural looking colours in most situations and the automatic white balance system copes well with a range of natural lighting conditions. As there's no eyecup it's possible to see a few elements of the scene around the viewfinder. I have been using 4:3, as I thought that was the default setting, but somewhere it was recommended using the 3:2 as that maximizes the pixel count for the sensor. I found that the Auto settings works well in most situations and it can even help produce decent looking images when the exposure has been set incorrectly. Marked with a 'C', this can be set to access one of 43 different features including options such as white balance and aspect ratio. It's usually 1.33 (4:3) or 1.5 (3:2), but not always. At first glance the RX100 III crops seem to pop off the page and appear sharper overall, but a careful study shows unnatural sharpening artifacts, while the older mk II images look far more realistic and natural. There's not enough detail left in the J4 images to be of much use in a photograph here, although neither camera produces worthwhile results at this ISO. First we need to find the ratio between horizontal and vertical length by dividing the former with the latter (aspect ratio). Sony RX100 VII Panoramas: Dimensions and Aspect Ratio. Both the RX10 and the RX100 are fixed lens compact cameras that are equipped with an one-inch sensor. bigger or fill screen.. The useful MR (Memory Recall) option is also still present to allow users the store and access their favourite set-up. ISO 3200 is generally an area for APS-C and Full Frame size sensors, but it's worth taking a look to see if any of the cameras in this comparison can match stride here given today's powerful in-camera processors. The RX100âs native aspect ratio is 3:2 but 4:3, 16:9 and 1:1 aspect ratios are also available, along with the standard Sweep Panorama options (2D only). Canon G9 X Mark II vs Sony RX100 III. The new Exmor RS CMOS chip consists of three layers: the pixel area, signal processing circuit and DRAM memory. Once it's fully extended (only about 5mm or so), a dioptre adjustment control is revealed on the top. As before, a ring around the lens can be used to set aperture by default, but this can be customised to adjust other settings if preferred. ISO 6400 produces a good 5 x 7 inch print, bringing it back in stride with the mk II. The G1X II looks surprisingly good in the bottle crop for this ISO, but then loses fine detail in the other crops. Please refresh the page and try again. England and Wales company registration number 2008885. The Sony Cyber-shot DSC-RX10 and the Sony Cyber-shot DSC-RX100 are two digital cameras that were officially introduced, respectively, in October 2013 and June 2012. The G1X II has a much larger sensor than the RX100 III, with more than twice the surface area, but roughly 7mp less overall resolution. The Sony Cyber-shot DSC-RX100 is a 20.2 megapixel compact camera announced on 6 June 2012. Recent advances in sensor technology have made ISO 1600 look a lot more like ISO 100, but there are still cameras whose quality starts to fall apart at this setting. As with base ISO, the GM1 wins against all cameras in this heat for consistently good imagery with the fewest unwanted processing artifacts. Today Sony has announced the RX100 VII, which is the latest in its range of point-and-shoot, compact cameras. 13 x 19 inch prints work fairly well here. Your own results with RAW conversions may of course vary somewhat. The Sony RX100 IV looks almost identical to the Sony RX100 III on the outside. A pixel on Sony RX100 III sensor is approx. One of the main benefits of shooting raw files is that it's possible to control the amount of noise reduction post capture when the images are processed. It's a nice way of working with a compact camera. We also choose 1600 because we like to be able to shoot at least at this level when indoors and at night. The aspect ratio and dimensions vary depending on whether you have the camera sweeping while held vertically or horizontally. ISO 1600 prints warrant a reduction in size to 11 x 14 inches here. Generally speaking, the RX100 III produces natural, yet vibrant looking images that look very good straight from the camera. Focus Mode; Focus Area; Center Lock-on AF; Focus-lock; Manual Focus; Direct manual focus (DMF) MF Assist (still image) Focus Magnifier; Focus Magnif. 4/3 224.9mm2 17.0 megapixels 24.00mm - 75.00mm (35mm eq.) All rights reserved. I program a button to allow fast selection of the different crops. Discover the RX100 III compact digital camera. The GM1 has a much larger sensor, not quite as large as the G1X II but close, and roughly 4mp less resolution than the RX100 III. Sony RX100 III -- Image Quality Comparison . This system analyses the scene, adjusts exposure and processes the image on an area by area basis to retain more information in highlights and shadows. ISO 80/125 yield a good 24 x 36 inch print, with nice detail, depth, contrast and color. Bath Similarly, this ISO begins to be too high for a 1/1.7" sensor as found in the Stylus 1. What's more with a maximum aperture of f/1.8 at the shortest focal length and f/2.8 at the longest point, it's possible to restrict depth of field when you want to. There are some apparent NR artifacts, but they're manageable and minor compared to the RX100 III. 269% bigger than a pixel on Sony HX95. Here we have two 1" type sensors, with the RX100 III having slightly more resolution, but it's fairly close. Sony RX100 has a pixel density of 17.39 MP/cm². Sony RX100 III conclusion. 2. ISO 400 shots are good at 20 x 30 inches, again with only minor but acceptable noise in shadowy areas of our target. Auto ISO. There are two options for setting the aspect ratio: Standard and Wide. My first impressions of the RX100 III's AF system were good and I have not been disappointed during this test. Of all cameras in this comparison, it produces the most consistent images of any camera, not really losing out in any of the target areas. I left the Dynamic Range Optimiser set to automatic for the majority of this test. Sony III: hidden features Introduction. The RX100 IIIâs 24-70mm lens has a similar range to the GM1 kit zoom, but with a much brighter focal ratio of f1.8-2.8 vs f3.5-5.6. To maintain the pocket-friendly shape of the RX100 line, the Mark III's electronic viewfinder (EVF) is a novel pop-up device. As with the RX100 II, the G1X II does appear more natural here at base ISO overall, regardless of the resolution difference. About the Sony RX100 MK III Digital Camera Newly developed 1.0 type, 20.2 effective megapixels (approx.) To ISO 25,600 with a multi image mode. If the Sony Action Cam is made for extreme sports enthusiasts, the ZV-1 is a product designed specifically for vloggers. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals! In order for it to be tipped up properly into the front-facing 'selfie' position, the EVF needs to be collapsed back into the camera body. Marked with a 'C', this can be set to access one of 43 different features including options such as white balance and aspect ratio. Sony RX10 vs RX100. Sony has changed the purpose of the Shooting tips/Delete button found on the RX100 II and made it a Custom button on the RX100 III. By default the camera enters Selfie selftimer mode when the screen is flipped right up and a count down from three is shown after the shutter release is pressed. The GM1 finally begins to show signs of strain here, as its sensor is still only about a quarter the size of a full frame offering designed to handle this ISO, but it puts forth a gallant effort here regardless, and will likely yield usable images in less critical shooting situations at this ISO. Compare Fujifilm X30 (12MP) vs. Sony Cyber-shot DSC-RX100 III (20.1MP) on sensor size (11mm vs. 15.86mm diagonal), pixel pitch, pixel density and other specs. Smart Remote Embedded is also available in the camera's Application list to enable it to be controlled remotely. Also, by default the camera powers-up when the EVF is popped-up. This is fairly common for this sensor size though. ISO 800 shows a bit too much noise in these same low contrast areas to call a 16 x 20 inch print "good" here, as we did with the previous two RX100 models, though it's certainly usable for less critical applications. We chose to include a variety of sensor sizes in this comparison to show what you could expect as ISO rises, as all models listed are in roughly the same general price bracket here. The zoom is operated via a switch around the shutter release button and there's a ring around the lens that can be used for making settings adjustments. There's also a function (Fn) button that gives access 12 key parameters such as sensitivity, flash settings and white balance. And now the real fun begins, as virtually everything but the best full frame cameras start to show strain at ISO 1600 and above, so it's nice to gauge just which ones handle it the best and which struggle more. NOTE: These images are best quality JPEGs straight out of the camera, at default settings including noise reduction and using the actual base ISO (not extended ISO settings). Compared to its predecessor, Sony now uses a faster f/1.8 â f/2.8 variable aperture 24-70mm fixed lens and the latest Bionz X processor. Meet the RX100 V â the ultimate compact for capturing movies and stills in captivating detail. This perfect pocket camera combines stunning 20.1 MP image quality, electronic viewfinder & bright ZEISS® lens. Below are crops comparing the Sony RX100 III with the Sony RX100 II, Canon G1X II, Nikon J4, Olympus Stylus 1 and Panasonic GM1. Setting the AF point isn't complicated, but it's not quite as quick as I'd like as you have to access the Focus Area option and then press the OK button to confirm the mode selection before the AF point can be selected via the navigation keys. ISO 3200 has results similar to 800/1600, where the mk III requires a size lower at default settings due to over-aggressive processing artifacts, and we can only call 8 x 10's good here. This is especially useful in bright light when the screen can be hard to see. All interchangeable lens cameras in this comparison were shot with our very sharp reference lenses. Imaging Resource © 1998 - 2021. The Sony RX100 III is without a doubt the best pocket camera currently available. The RX100 II was such a big leap ahead for what a premium compact could achieve in low light performance, so we'd hoped for the trend to continue but, at least with print quality, this is not the case. Sony's approach to noise control may not look great when images are viewed at 100%, but the results are pretty impressive at more normal viewing sizes. Remote control is limited to exposure compensation, focal length, selecting self-timer and tripping the shutter, but it's a useful feature. If you want a little more warmth the Sunlight setting works well. Both JPEG and ARW.RAW formats are supported, along with RAW+JPEG capture. The default options are a good starting point, but I found it useful to use it to access the image quality options so that I could turn off raw shooting and allow the Picture Effects (Toy Camera, Pop Color, Posterization, Retro, Soft High-key, Part Color, High Contrast Mono, Soft Focus, HDR Painting, Rich-tone Mono, Miniature, Watercolor and Illustration) to be used. Below are crops comparing the Sony RX100 III with the Sony RX100 II, Canon G1X II, Nikon J4, Olympus Stylus 1 and Panasonic GM1. Sets the aspect ratio of still images. ISO. If you feel that the price is too expensive, you can check out the Canon G7 X Mark III (RM2999) or Sony RX100 III (RM3149). We have been very impressed with the Sony RX100 line to date, so it's good news that the RX100 III uses the same 20.2Mp sensor as the RX 100 II. You will receive a verification email shortly. A nice job for this ISO, and would likely yield usable images in most shooting situations. Sony Cyber-shot DSC-RX100 III | Full Specifications: Sensor type: CMOS, Sensor size: 13.2x8.8, Sensor photo detectors: 21, Effective Closest Aspect Ratio 3 x 5 use 16:9; 4 x 6 use 3:2; 5 x 7 use 4:3; 8 x 10 use 4:3; 8.5 x 11 use 4:3. dalemccl's gear list: ⦠1. This sharpening can be turned down for JPEG shooting in-camera, and of course RAW conversions can be made to order, but it's important to remember that unless you want this much sharpening applied at base ISO, it's advisable to turn this setting down before shooting. Both the G9X Mark II and the RX100 III are fixed lens compact cameras that are equipped with an one-inch sensor. The larger G1X II sensor shines here, able to resolve fine detail in most areas that the RX100 III lacks in. Careful processing enables more detail to be retained than is present in simultaneously captured JPEGs provided that you don't mind a little noise being visible. Thank you for signing up to TechRadar. Generally, the bigger (and newer) the sensor, pixel pitch and photosite area, and the smaller the pixel density, the better the camera. The RX100 II: click here; The Sony RX100 III here. Helpfully, the EVF has a sensor that detects when the camera is held to the eye to activate it and turn off the LCD. Aspect Ratio (still image) Quality (still image) Panorama: Size; Panorama: Direction; Adjusting the focus. Since then, Sony has introduced new RX100 ⦠Even if your smartphone doesn't have an NFC chip, it's easy to connect it to the RX100 III's Wi-Fi system to transfer images wirelessly. This perfect pocket camera combines stunning 20.1MP image quality, electronic viewfinder & bright ZEISS lens. In shade, for example it produces neutral looking images that reflect the conditions and don't look too cold or too warm. © Thanks to its metal chassis, the camera still has a sleek appearance and solid feel. Without any noise reduction applied the RX100 III's high-sensitivity raw files have fine coloured speckling that shows no sign of banding and is randomly distributed. Discover the RX100 III compact digital camera. It would be simpler if you could connect the phone to the camera and then select what you want to do â transfer images or take remote control. It's a shame that Sony still doesn't allow these effects to be applied to JPEGs captured at the same time as raw files. Both cameras offer a resolution of 20 megapixels. With the ratio (r) known we can calculate the X from the formula below, where X is a vertical number of pixels: ISO 12,800 yields a good 4 x 6 inch print, again in stride with the mk II and capable of a good print at its highest ISO setting (not all camera models can do that!). Aggressive default sharpening and noise processing results in visible noise and artifacts in the middle range ISOs that force a print size reduction compared to the mk II across 3 middle-range ISO settings. Future Publishing Limited Quay House, The Ambury, This can be customised, but many experienced photographers are likely to want to use it for adjusting aperture. Discover the RX100 III compact digital camera. 1:1 (square or medium format camera shape) 3 x 3, 4 x 4, 5 x 5, 8 x 8. Still, it's an amazing camera for its size, even with the slight step back from its predecessor in low light image quality. Very good 24 x 36 inch prints at ISO 80/125/200; a good 11 x 14 at ISO 1600; a nice 4 x 6 at ISO 12,800. Exmor CMOS sensor for high-quality, high-precision images Newly developed large-diameter F1.8 Carl Zeiss Vario-Sonnar T* lens delivers refined defocus images Naturally the exposure compensation facility is useful on some occasions, specifically when shooting very bright subjects such as a seascape under a bright sky, but it isn't required in any situations that you wouldn't expect it to be needed. Activating it is a two-step process: firstly the switch on the side of the camera is flicked to release the finder, then the rear element of the eyepiece has to be pulled back. The camera is able to identify its target and get it sharp pretty quickly even in quite low light. It would be nice, however, if selecting the AF point you want to use was a one-stage process rather than two. This perfect pocket camera combines stunning 20.1MP image quality, electronic viewfinder & bright ZEISS lens. Though quite small, the EVF provides a nice detailed view, with the active focus points or face recognition boxes highlighted. I'd get mine at Adorama or at B&H.Order today and it should ship in August for your vacation. Raw files can only be recorded at maximum resolution, regardless of the image quality setting or aspect ratio. Discover the RX100 III compact digital camera. Its default settings are not dialed to be as sharp, but the result is more natural and sharpening easily added in post. The wide-angle end is great for landscapes and confined spaces, while the telephoto end produces flattering portraits. The second stage of the EVF activation comes as a surprise to many, but they quickly realise that something is wrong as the view through the viewfinder is very blurred until the rear element is pulled into place. The first two crops from the Stylus 1 look nice and very natural here at base ISO, but the small sensor has trouble resolving the fabric swatches. Like the RX100 II, there's a mode dial on the top of the camera to give quick access to shooting modes, including the enthusiasts' favourite aperture priority, shutter priority and manual, along with program, fully automatic and panorama options. As with ISO 1600, these two cameras clearly weren't designed to be pushed to this ISO. Examining images from the RX100 III taken at the lower sensitivity settings reveals that they have lots of sharp detail. The Stylus 1 has a sensor less than half the size of the mk III, and far less resolution, making for an odd comparison. I found it useful for accessing Focus Area to allow AF point selection. Paper Size Ratios, 3 x 5 is 1.67; 4 x 6 is 1.50; 5 x 7 is 1.40; 8 x 10 is 1.25; 8.5 x 11 is 1.29. for the Sony HX400v- is the 3:2 aspect ratio "better" to use than 4:3? Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. Still, it yields images far superior to the RX100 III here. 36 x 48 inch prints are fine for wall display purposes here. Where the RX100 II was able to yield a good 13 x 19, noise levels prevent that size here in the mk III. The only thing that has changed on the hardware side is an increase in the resolution of the pop-up viewfinder. It is part of the Cyber-shot RX line of digital cameras made by Sony.It was named as the "European Advanced Compact Camera for 2012â2013" by the European Imaging and Sound Association (EISA) and one of the 'Best Inventions of 2012' by TIME. The JPEG files have very little, if any, colored speckling visible even at the highest sensitivity values but there's a stippled texture visible. The RX100 IV here. Comparison were shot with our very sharp reference lenses still has a pixel density tells you how million... For setting the aspect ratio ) 100 to ISO 12,800 in full stops rather than two following URL default... 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